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The story of a man drinking with the company of the moon and his shadow, evoking loneliness through just three images, influenced how his play could convey universal emotions through simple forms. Jin, a graduate directing student, will stage his production of Anton Chekhov’s, “Uncle Vanya,” from Friday through Tuesday at UCLA’s Little Theater. The show tells the story of visitors returning to a country estate run by the titular character Uncle Vanya and his niece Sonya. Jin said the 19th-century tragicomedy features characters who face various struggles including betrayal and unrequited love, ultimately culminating in a tale of lost expectations. Following Chekhovian tradition, Jin said he focused on expressing the emotional heart of the play through minimal but symbolic scenery. However, he deviated from conventional renditions by using very expressive acting gestures to convey the feelings of the characters. “Why (“Uncle Vanya”) touched me is not the form but the content itself,” Jin said. “We use a lot of poetic gesture to externalize the internal emotion, and I think these emotions are the most important part for the play.” James Maloof, an MFA set and production design student and “Uncle Vanya’s” scenic designer, said Jin’s vision revolved around creating a stark and simplified stage as the backdrop for Chekhov’s characters.
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